 | Whether you're looking for integrated workflows for collaborative postproduction or an affordable, customized software package, SpectSoft has a complete range of solutions for today's postproduction and broadcast professionals.
Post production facilities and broadcasters face many challenges, SpectSoft has designed the Rave line of products specifically to be workflow solutions that allow you to easily intergrate into existing pipelines. From ingest to playout, SpectSoft offers unique solutions for digital production and delivery and continues to be a leader in the industry.
The benefits that the Rave products offer are not for every studio out there. A small studio usually will not have the workflow issues that Rave addresses and the bottom line is, the Rave line is about the workflow. Although Rave products can be used as standalone devices the true nature of the product is to take on daily tasks, perform them with consistency, provide the utmost quality and to automate as much as possible. Every customer using a Rave product is constantly coming up with new ways to do this.
Finally, we have the tools to be masters of our own workflows and not the other way around!
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 | RAVE is used as both the source and record deck in place of two Sony SR vtr's. Material from the show was loaded onto RAVE from the SAN to be used locally with a Da Vinci 2K. The colorist was effectively able to cut his time in half doing scene by scene color correction by being able to instantly switch between scenes with one hand while color grading with the other. The no seek time of the Rave is a real time saver.
Comparing the cost of one RAVE versus the cost of two Sony SR vtr's the savings is staggering, not to mention the amount of time saved in the session........current studio quote |
 | We greatly improved our in house workflow here with ravehd, with remote ravehd from discreet, the artist can control ravehd with the ravegui and start capture on pen. They are really loving it. The system is pretty good, it became a core piece in our hd workflow, the best part is that you are not breaking things that was working with the new versions. It is a pretty common situation in other companies..................EstudioMega, Brazil |
ON-SET to POST
 | The Rave Removable Drive System offers benefits for every step of the pipeline
PRODUCTION
* Uncompressed original camera master (instead of compressed tape)
* Proxy material can be made on-set
* Original material can be carried off set at the end of the day
* Dual camera/3D/Instant dub support
POST
* The uncompressed canister can be used directly in color grading
* The DPX files are available via the SAN or the Network
* Rave can conform/sync production audio, so you don't have to tie up a Telecine bay
* Proxy material can be made w/sync'd production audio
* Conform back edit to uncompressed original material
VFX
* Canisters are available on the SAN or Network as DPX frames
* No data coping/wrangling
* Uncompressed (full quality) material can be played back immediately |
Rave can be used in a variety of workflows
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